ArchivesSpace Public Interface

Materials inlcude correspondence; grant applications; budget docs; printed and written materials; invoices; research notes; newspaper clippings; resumes; Mural in America lectures and courses materials; student grade reports and papers; and bibliographies pertaining to the publication of FVOC's book, the Mural in America. Box may contain confidential materials.

Materials include artist files for community muralists in the United States; correspondence; research notes; newspaper clippings; essays; articles; and exhibition materials. Files are organized by artist name.

Materials include lecture materials; mural course materials; correspondence; publications; research notes; bibliographies; photographs; newspaper clippings; maps; mural diagrams pertaining to Francis V. O'Connor's research and teachings on the American mural.

Materials include correspondence between O'Connor and publishing companies pertaining to the publication and sale of Francis V. O'Connor's books, Art for the Millions and New Deal Art Projects; drafts of introduction to the exhibition catalog, Federal Arts Patronage 1933-1943, introduction by Francis V. O'Connor; tombstone information on WPA artists and artworks; royalties; book reviews.

Materials include publications; correspondence; bibliographies; photographs; lectures pertaining to Francis V. O'Connor's research on New Deal Art Projects of the 1930s and 1940s.

Photographs from the Jackson Pollock exhibitions at MoMA (1967); Photographs from New Deal Art Projects book opening (1972); Photographs from Jackson Pollock catalogue raisonné party (1978); Photograph of Thomas Hart Benton and FVOC; Portrait of Thomas Hart Benton (1930).

Thomas H. Benton artist letters. Letters innclude correspondence between Benton and FVOC; Benton and James T. Valliere.

Materials include correspondence between FVOC and Thomas Hart Benton; books; essays; articles; artist letters; interview recordes; transcripts; photographs relating to Francis V. O'Connors research on Thomas Hart Benton.

Materials include correspondence with Philip Adams (Former Director, Cincinnati Art Museum) regarding the publication of a Walt Kuhn monograph; lists of Walt Kuhn paintings; and photographs.

Box contains nine leather folders with chapter drafts, notes, newspaper clippings, and correspondence relating to Philip R. Adam’s Walt Kuhn monograph (published 1978)